By Howard Reich
Tribune arts critic
Published January 14, 2006
Only guitarist Larry Coryell can say for sure why he's sounding as refreshed and rejuvenated as he did Thursday night at the Jazz Showcase.
Perhaps it's because he nearly has completed his autobiography, which he plans to issue later this year. Or maybe he's exulting in the release of his newest CD, "Laid Back [read more]
As one of the pioneers of jazz-rock -- perhaps the pioneer in the ears of some -- Larry Coryell dese[...]
As one of the pioneers of jazz-rock -- perhaps the pioneer in the ears of some -- Larry Coryell deserves a special place in the history books. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing in the 1960s, a hard-edged, cutting tone, phrasing and note-bending that owed as much to blues, rock and even [read more]
(GREAT BARRINGTON, Mass., May 8, 2001) - In what was undoubtedly intended as a criticism, a leading [...]
Of course, what the critic missed was that Coryell's intention was not to be any of the above. Like any dedicated, creative artist, Larry Coryell has always sought to be himself. While it is true that in his case this has taken him stylistically all over the musical map, from Ravel to Rimsky-Korsakov to Robert Johnson to rock and beyond, [read more]
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Just a head's up: Earthquake at the Avalon may be the singularly greatest guitar release of all time. If you don't already have it, go purchase it a.s.a.p.